In what might be regarded as a reference to DuBois’s symbol of The Veil, Bigger is separated from the white man who he’s tried to frame for his crime as “huge wet flakes of snow floated down slowly, forming a delicate screen between them.”
Native Son – 17
Invisible Man: 3
When the protagonist is awarded a scholarship to a black college, he pauses before a statue of the founder of the school lifting a veil from the face of a kneeling slave. This veil can be associated with DuBois’s concept of the veil that separates people of different races in the U.S., and the fact that the slave has been blinded by the covering ties in to the novel’s themes of visibility and invisibility. Most profoundly though, the protagonist is “puzzled” by the statue, “unable to decide whether the veil is really being lifted, or lowered more firmly in place.”