Tea Cake becomes jealous because Mrs. Turner is trying to create a match between her brother and Janie, despite the fact that Janie is already married. As he brags to the men of his community, Tea Cake says, “Ah didn’t whup Janie ’cause she done nothin.’ Ah beat her tuh show dem Turners who is boss.”
Their Eyes Were Watching God: 15
Immediately prior to his own quotation from this scene in the autobiography, William McFeely writes “Frederick Douglass was too young when he lived at Wye House to generalize as he would later about the nature of the slave system, but he was precisely the right age for individual acts of physical brutality to become indelibly recorded in his memory.” McFeely contends that the whip was typically used not to promote work but, instead, as a means for white people to express emotions like “anger, frustration” and “jealousy” (17).
Hugh Auld’s words connect Douglass’s tale to a fictional instance of human trafficking. In Ken Liu’s story “The Paper Menagerie,” a Chinese woman tells the story of being smuggled into Hong Kong and “adopted” against her will by a family that made her a servant for their children, beat her regularly and locked her in a cupboard at night. The woman says she was beaten if she tried to learn English, and that the man who made her a captive said “‘Why do you want to learn English…You want to go to the police?'” Much like Hugh Auld understands that Douglass could use his literacy to escape, the man who has virtually enslaved this Chinese woman understands that she will be better-prepared to get away if she learns to use words in a new way.
The story of the Chinese woman also provides a link between Douglass’s narrative and that of Harriet Jacobs. The woman recalls that an older woman pulled her aside and warned her that she could be sexually assaulted in the home where she was being held captive. The older woman said “‘One day, the man who owns you will get drunk, and he’ll look at you and pull you to him and you can’t stop him. The wife will find out, and then you will think you really have gone to hell'” (191). The prospect of sexual assault by one’s “owner” and resentment from the wife of the assaulter associates Liu’s tale with the testimony of Jacobs, who was pursued by her enslaver for several years and harassed by his jealous wife.